Used through-out Africa the mask is a large part of the tribal tradition and way of life. Varying in style, composition and importance the masks are made and used by tribes for similar reasons. These reasons or occasion ranging from joyful in the celebration of harvest, sorrow as in a funeral procession, serious when land may be threatened by drought conditions, or even serious when tribes feel the need to ward off evil spirit.
Masks play a very important part in the lives of the young when they come of age and enter into the adult world. Above all, masks are used in ceremonies where wisdom and experience of the elders is passed down to the younger generation. Where these ceremonies take place masks may be used that represent many things: their ancestors, good and evil spirits, dangerous bush and water spirits or even illness.
Masks are made from many different materials ranging from woven fibre, cane framed skin masks, cloth and wood. Predominantly wooden masks are made from one piece of wood and will cover the wearers face or whole of the head. They can be painted either very plainly in one colour or very vibrantly with a variety of colour. Adornments can also be added in the form of cowrie shells, glass beads, plant fibers, raffia and even material that would then completely hide the wearer. Whether a mask depicts a human styled face or a representation of an animal form of which there are many elephant, antelope, hyena, monkey, leopard, crocodile, fish, bird or snake to name a few they are all unique to their particular tribe.
Carvers of the mask are true craftsmen and produce real beautiful works of art to uphold their ceremonies and tribal traditions.
These masks are uncommon and until very recently they were identified as being from the Koro people of Nigeria. The red abrus seeds (Abrus precatorius) which are very poisonous, were meticulously threaded and attached to the plant fibre structure in rows forming a wonderful overall visual.
This mask constitutes the second in a series of four masks still performed as entertainment by the Baule peoples of central Côte d’Ivoire. The dance series is known as Goli, and this mask as Goli Glin.
The Senufo Wanyugo mask (double headed) is worn in various ceremonies of the village, during the initiation of the new generation, also during funerals to drive away evil spirits before the ceremony
This Dan Beikpan gle mask and costume was collected from Beyouin in Cote D'ivoire, it is used in masquerades for rejoicing and celebrating a good agricultural year and a symbol of wealth and peace.
Yagule masks are also know as Peul/Bede. Bede being a slightly different variation on the Yagule mask. Also being known as Jeune fille translated to Young girl. Dancers that wear these masks usually perform the dance whilst wearing stilts.
Over twenty types of masks are used among the Kuba, with meanings and functions that vary from group to group. Kuba wooden helmet masks are probably the most commonly produced items, popular with the collectors.
In female initiation ceremonies this mask represents the ideal young woman, Mwana Pwevo also called Pwo. She acts as a role model by speaking gracefully and displaying gentle manners. In public performances, women escort Mwana Pwevo to the centre of their village, where the head of the village receives her ceremonially.
Antelope masks, among the most popular Dogon masks, are admired by the Dogon for their beauty and the strength of their performance. The face of the mask is usually a rectangular box, like that of the sim mask, but in this example the artist has completely opened up the face, eliminating the two channels for the eyes and adding a short, arrow-shaped nose.
PROVENANCE: Ex Seward Kennedy Collection. dannana aggressively hunts another masquerader, the rabbit, but fails to catch him. The rabbit in this context is the trickster, intelligent and cunning, able to defy man. The pairing of hunter and rabbit may refer to the myth recounting how the first hunter mask was created.
PROVENANCE: Ex Seward Kennedy Collection. The Bamana Ntomo masks were worn by boys as they passed through the early cycle of initiation into manhood. The masks reinforce the lessons the boys are taught as they are prepared by elder males in the society for circumcision.
The Bete people also known as Magwe, Tsien, Bokya and Kpwe; are ancient hunting, patriarchal, hard-working agricultural and culturally unique ethnic group that forms a subset of the larger Kru-speaking people residing in Côte d'Ivoire (Ivory Coast) and Liberia.
The crocodile is a sacred animal within the Dogon tribe and it was believed to have led the Dogon people to water during their mythical journey across Africa. The Dogon were on their way to their current homeland, which is called “Falaise de Bandiagara.”
These masks are quite rare compared to the more common "Walu" antelope mask to which the Kelemo Jene mask is often confused with. Although there are similarities the Walu has two horns whereas the Kelemo Jene has 4 - 7 horns.
The "Kanaga" mask can be interpreted in different ways: crocodile, creator genius, but also "bird in flight". According to the latter interpretation it represents the bird "kommolo tebu" with spread wings and black and white plumage, when after its shooting the hunter carved the first "kanaga".
Dogon art is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. Their art deals with the myths whose complex ensemble regulates the life of the individual.
Luwesegle is the villagers give this mask, which means "bush ghost mask". This mask is bought out during ceremonies for every generation's celebration to chase / drive evil spirits away and purify the village.
A mask with delicate, S-curved horns, this example has a sagittal crest that extends into a narrow snout, and small projecting eyes
A beautiful piece of Dogon art from before 1950, this is known as a Dogon Sim Kalama Nangala mask. Dogon masks such as this Sim mask are worn primarily at commemorative rituals for Dogon men.
The Dogon Lesiga mask is quite similar to the larger "Sirige" mask but danced differently, and with different meaning. This is a later 20th century piece, The large Dogon Lesiga mask is one of the 80 + masks that the Dogon use but are less seen, this particular mask is native to the Bamako region and worn at festivities and ceremonies during the festive periods.
The Sim mask usually appears as one of many different types of masks during a funerary ritual known as dama. This ritual takes place several years after the initial burial, so that the elaborate and costly preparations for it can be made.
A rare charismatic Dogon Buffalo mask from the Plateau de Bandiagara. White tipped horns and centre of the face, iron rings around the ears and the back of the mask is bound with a strong plant fibre / wicker. The sides of the mask towards the back (where you put your face) is worn from dance adornments rubbing during ceremonial use.
A fine and old example of a Baule elephant mask Glao or Klolo. The Chief of a Baule village in Bouake who sold us this piece says that the Baule elephant mask is a symbol of the Ivory Coast and that this mask comes out at the beginning of any large village ceremony to purify the village and bring peace and abundance of happiness.
A superb and very rare Dan Guere Poyagle mask collected from a small remote village west of Bangolo in Cote D'ivoire (Ivory Coast). This is such a rare piece even to where it is native as this mask only comes out every 10 years to cast out a blessing over the village and to drive away evil spirits that cause famine, endemic disease and drought.
Yaka Kholuka mask consisting of wood, raffia, white and coloured pigments, kaolin, oval face carved of classical form, exaggerated features, upturned nose, toothy mouth, most areas covered with white pigment,
A stunning and rare Bwa Kobiay mask from the Bwa people of Burkina Faso.
Known as Kalunga, this barrel-shaped mask of the Bembe is said to embody forest spirits
A stunning mask field collected from a village near a town called "Man".
A very old Bobo Molo mask from Burkina Faso, These fantastic masks are used in the kwele dwo, dwosa, and sibe dwos cults, molo and nwenke masks are the oldest and most sacred works...
This is a beautiful example of craftmanship from the Bamileke tribe in the Grasslands of Cameroon, It comes with its own custom made stand which has been precision engineered.