Dan Mask (Go Ge or Go Glih)

  • Tribe: Dan
  • Origin: Cote D'ivoire (Ivory Coast)
  • Approx Age: 1970's
  • Materials: wood, vegetable fibre
  • Dimensions cm: 22 tall x 14 wide
  • Ref. Number: 0980
£700.00 RESERVED

A beautiful and serene Dan Go Gé mask from an ex private French collection of African art and dating from 1970’s.  The mask is covered with a very thin and dark patina. The forehead which is slightly prominent, contains two eyebrows with a remarkable symmetry. The finely carved eyes are placed in the central part which is slightly concave, next to a curved projected nose. The mask has a protruding nose and a reversed smile. The piece is decorated with a hairstyle composed of two side braids.

This Dan Go Gé mask is only used for funerary ceremonies of important chiefs. Given its features, the style  corresponds to that  of Northern Ivory Coast.

Image result for dan dancer Ivory Coast

In earlier times, and without any centralised power, the DAN who were established in Liberia and in Ivory Coast, were unified by the peacemaking and unifying power of the society of the leopard Go, whose spirit comes in the shape of a particular mask, called Gogle and could vary from a village to another. It is important to note that unlike other ethnic groups, the masks do not represent the spirits but incarnate them. It explains there sacred aspect and the power which was conferred to them.

The border between Cote d’Ivoire and Liberia cuts across several ethnic groups, including the Dan, Wee, Kran, and Grebo. In Dan society, dangerous immaterial forest spirits are translated into the forms of human face masks. Whether or not they are worn, such sculptures are spiritually charged. Male performers, gle-zo, experience a dream sent by the mask spirit that allows them to dance it. In performance, the masks are integrated into the hierarchical system that governs political and religious life.

Dan Masker, Africa:

Dan masks have been documented as the embodiment of at least a dozen artistic personalities. Among these are Deangle, who ventures into the village from the initiation camps to ask women for food; Tankagle and Bagle, who entertain through a range of aesthetically pleasing dances, skits, and mimes; Gunyege, whose mask is worn by a community’s champion foot racers in competitions; and Bugle, who historically leads men into battle. This example, with its bird-like beak, small oval eyes, and voluminous beard made from fur is known as Ge Gon. Originally educational, historical, and regulartory, it was described as a mask of wisdom. It has progressively become mostly an entertaining mask, that appeals through its bird-like movements in performance.

Image result for dan dancer Ivory Coast
photo taken by TransAfrica

 

Once they are divorced from their performance contexts, however, mask forms are difficult to identify. Performances of Bete and Wee masks may span the careers of many generations of wearers, contributing to the increasingly sacred status of these objects. A masquerade’s vitality may also be transferred from one mask form to another. Over time, any respected Dan mask may eventually be elevated to the category gunagle, the mask that represents a village quarter, or gle wa, a judicial mask.