Dogon Two Tier Horse Stool

  • Tribe: Dogon
  • Origin: Mali
  • Approx Age: Mid 20thCentury
  • Materials: Wood
  • Dimensions cm: 92 long x 36 tall
  • Ref. Number: M0565

A beautiful  Dogon stool in the style of a Tellem headrest, superbly unique with the tiered platforms and the animal heads projecting from both sides, with a lovely wear patina to the seated area on top. This is a large (wide) stool at 92cm wide and 36cm tall. This came straight from a village in the Mopti area where it was being sat on at the time of purchase.

Dogon Stool, mask, figure , pot


Wooden stools serve the Dogon people for everyday use, not so much nowadays for the traditional reasons as most of the Dogon people have converted to Islamic religion so tradition holds no value but they still need to sit down. The carving of this stunning styled Dogon stool has not become apparent to us yet as we have to do more research to why it would have been carved as it takes the form of what is more commonly regarded as a Tellem headrest. When we do find out more we will put in the additional information as the elder who owned this did not diverse much information at the time of purchase.

Africa |  Dogon door, Mali


Dogon art is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. Their art deals with the myths whose complex ensemble regulates the life of the individual. The sculptures are preserved in innumerable sites of worship, personal or family altars, altars for rain, altars to protect hunters, in market. As a general characterization of Dogon statues, one could say that they render the human body in a simplified way, reducing it to its essentials. Some are extremely elongated with emphasis on geometric forms. The subjective impression is one of immobility with a mysterious sense of a solemn gravity and serene majesty, although conveying at the same time a latent movement. Dogon sculpture recreates the hermaphroditic silhouettes of the Tellem, featuring raised arms and a thick patina made of blood and millet beer. The four Nommo couples, the mythical ancestors born of the god Amma, ornament stools, pillars or men’s meeting houses, door locks, and granary doors. The primordial couple is represented sitting on a stool, the base of which depicts the earth while the upper surface represents the sky; the two are interconnected by the Nommo. The seated female figures, their hands on their abdomen, are linked to the fertility cult, incarnating the first ancestor who died in childbirth, and are the object of offerings of food and sacrifices by women who are expecting a child. Kneeling statues of protective spirits are placed at the head of the dead to absorb their spiritual strength and to be their intermediaries with the world of the dead, into which they accompany the deceased before once again being placed on the shrines of the ancestors. Horsemen are remainders of the fact that, according to myth, the horse was the first animal present on earth. The Dogon style has evolved into a kind of cubism: ovoid head, squared shoulders, tapered extremities, pointed breasts, forearms, and thighs on a parallel plane, hairdos stylized by three or four incised lines. Dogon sculptures serve as a physical medium in initiations and as an explanation of the world. They serve to transmit an understanding to the initiated, who will decipher the statue according to the level of their knowledge. Carved animal figures, such as dogs and ostriches, are placed on village foundation altars to commemorate sacrificed animals, while granary doors, stools and house posts are also adorned with figures and symbols.